The Craft

A traditional longrifle was a tool; today, it is valued as usable art.

Here is how one comes together.

Chapter I

Sound foundations

Critical components — the barrel, lock and period-correct furniture such as trigger guards, butt plates and side plates — are sourced from established American makers.

This keeps the finished firearm safe and reliable, and focuses the handwork where it matters most: fit, architecture and decoration.

Hand-tuned flintlock mechanism on an American fowler

Chapter II

The handwork

This is where each piece becomes unique. Depending on the design, a build may include:

  • Raised carving

    Sculpted relief around the wrist, cheek and forestock.

  • Fine metal inlay

    Fine brass, German silver or sterling silver ribbon wire, set flush into the stock.

  • Engraving

    Hand-cut detail on furniture, inlays and lock plates.

  • Architecture & finishing

    Period-correct shaping and traditional stock finishing.

Raised carving and wire inlay on a Lancaster flintlock stock

Chapter III

Built around you

Every commission starts with a conversation about the period, region and style you are after — a Lancaster flintlock, a colonial fowler, or something drawn from your own reference.

From there the design is developed to suit both the history and the individual client.

Start a conversation →

Barrel signed by E R Pitrolo